What is the secret of Russian beauties in portraits of Konstantin Makovsky
Konstantin Makovsky was one of the most fashionable and, as they would say, “sought-after” artists of the 19th – early 20th centuries. Emperor Alexander II called him “my painter”, and…

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Frightening mercy, drunk babies and flabby gods: Provocative antique stories on the canvases of the great Rubens
Rubens is a court painter and, at the same time, a rebel. He chooses the most provocative antique stories. In his house he organizes a real art manufactory. A talented…

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10 controversial paintings by famous artists that not everyone dares to hang at home
The paintings of famous masters are admired. They seek to acquire, if not originals, then at least reproductions. But among the huge number of paintings by great masters there are…

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People-birds, beautiful ladies and the joy of life: 6 forgotten artists who will change the idea of Soviet painting

They worked in the harsh conditions of socialist realism, but paintings with farmers and tractors are not their style. Their paintings were crushed by bulldozers, not allowed to go to exhibitions, forgotten for many years. Some of them were lucky, and they received professional recognition, participation in exhibitions, posters mentioning their names … but few today remember their work. Artists of the Soviet era combined art and family – or preferred the workshop to a family hearth, searched for their own path, fought, dreamed … and, of course, did it.

Alexandra Beltsova

Alexandra Beltsova was born in Latvia. During the years of training, she met the artist Roman Suta, who became her husband and associate. Together they traveled to Berlin, where they met many avant-garde artists, and to Paris, where they participated in exhibitions along with Picasso and Le Corbusier.

At this time, Alexandra’s work is close to cubism – geometric shapes, dry colors, hard lines. She portrayed women of her time and circle, strong, athletic, fatal.

In 1924, together with her husband and several colleagues, she founded a porcelain painting workshop, and a considerable part of Alexandra’s heritage is decorative plates with oriental and Latvian motifs.

Alexandra was in fragile health: tuberculosis undermined strength. During the exacerbation, she painted many portraits and self-portraits in which she seemed to be in a hurry to capture her appearance and images of the patients of the clinic where she was being treated. Melancholy and sad, they are imbued with a premonition of imminent death.

However, Alexander was waiting for a long and fruitful life, she tried new styles and new techniques, experimented with pastels and watercolors. Her family life was not easy. Roman Suta did not believe in the giftedness of his wife, believed that women were incapable of creativity, harshly criticized her work, and sometimes it was unbearable for Alexandra. In 1944, Roman Suta was repressed and shot, but Alexandra was lucky – she lived safely in Riga until the end of her life, wrote and actively participated in exhibitions.

Alla Tsybikova

Alla Tsybikova is the famous artist of Buryatia. And all her work is devoted to the traditional culture of her native land. Her work was distinguished by a subtle, shimmering color and unique style – Buddhist art meets avant-garde. Family, national traditions, everyday scenes are Tsybikova’s favorite topics.

The repeating motives of her work are birds with female and children’s heads, masks of the mystery Tsam, Buddhist goddesses.

She was a very modest and self-critical person, exhibited little and rarely, not counting her works worthy of attention, she suffered that she could not fully express her thoughts and ideas on canvas and wood. The title of Honored Artist of Russia was awarded to her posthumously.

Vera Preobrazhenskaya is the brightest of the Soviet abstract artists.

In the 60s, unofficial Soviet art was very diverse. Vera Preobrazhenskaya belonged to the association of Elia Belyutina “New Reality”, for several decades led the association of Soviet abstract artists who were engaged not in reflection of Soviet reality, but in non-essential art.

Large canvases, covered with nothing like spots and lines, caused misunderstanding among the first persons of the state. Khrushchev’s “criticism” was obscene at all. The works of Vera and her associates were removed from the exhibitions and seized by the police, the exhibitions had to be held in apartments and workshops.

The same age as Vera Preobrazhenskaya awaited worldwide recognition of her work. She died in 2017, becoming a true legend of contemporary Russian art.

Jesters and advisers of the monarchs: Famous dwarfs of the Middle Ages on the canvases of court artists
Dwarfs in Medieval Europe were very popular, and the love of them in Italian courts bordered on mania: the clans of Ferrari, Visconti, the Medici kept them at court. The…

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Unpleasant Art: Diseases and Death in 19th-20th Century Paintings
Art does not always appeal to the beautiful and beautiful, sometimes from the depicted on the canvases it takes a rash because of the plots chosen by the author. For…

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Sergey Kalmykov: Why was the last Russian avant-garde considered a city madman
The popular opinion, according to which every genius is a little crazy, with respect to Sergei Ivanovich Kalmykov, acquires special significance. The history of this artist, who managed not only…

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Why the picture of John Millet “Christ in the parental home” caused a scandal and the beginning of a new direction in art
The picture in which Christ and his family were depicted as "ordinary people" caused a once-great resonance in English society. Many considered the excessive realism inappropriate and even "disgusting." But…

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