What was the fate of “Big Sue”, which posed Freud’s grandson for the scandalous paintings that made him a millionaire
Lucian Freud and Sue Tilly: The Story of a Scandalous Muse.
If the fame of the artists could be measured in kilograms, then the scales of Lucien Freud (yes, that scandalous grandson of the great psychoanalyst) would have increased by 127 kg immediately. That was exactly what Big Sue had, the so-called model artist Sue Till, whom he depicted in one of his most famous paintings.
The woman, completely naked, seems to be sleeping soundly. And the artist is fascinated by her body: fat, not muscular and not fit, with, as Freud loved “100% made of flesh.” The folds of her massive body seem to flicker with all shades of brown, pink and white. As an artist, she crept up to her … and is the goddess angry when she wakes up? Continue reading
You all misunderstood … The Cheju Museum of Optical Illusion.
There are many paintings in the world that, it would seem, are even known to art amateurs, but at the same time, even authoritative art historians interpret these paintings quite incorrectly. In this review, a dozen paintings in which their creators have put a deeper meaning than it might seem from the first (and sometimes even from the second) look.
1. Happy swing opportunities
This famous picture of the Rococo era was even shown in Disney’s Frozen. However, Fragonard clearly put a deeper meaning into his work than Disney. The picture shows a young woman who is rocked on a swing in a romantic garden by an elderly man. This man is clearly unaware of the presence of a young lover of a girl who is watching them from the bushes. Continue reading
Immoral Art: How Kitagawa Utamaro became famous for depicting geishas and offended the Japanese government in one engraving
Kitagawa Utamaro is an iconic Japanese artist whose engravings are world famous. He devoted his life to portraying the inhabitants of the “merry quarters” – geishas and the maids of tea houses, and he worked, despite the prohibitions. His name meant “the river of abundant happiness,” but the artist’s life was not happy.
During the Edo period, during the reign of the Tokugawa clan – around the 17th century – an art movement appeared that became the hallmark of Japanese art in the eyes of the entire Western world.
The term itself originally meant “mortal world” or “vale of sorrow”, but the engravings of ukiyo-e are not at all sad. At that time, life in Tokyo was in full swing: those city blocks were rebuilt where the Kabuki theater flourished and the houses of geishas and courtesans were located. The first ukiyo-e artists portrayed the diverse inhabitants of these “fun neighborhoods” – beautiful geisha, stern sumo wrestlers, Kabuki theater actors with their masks and costumes, and therefore the word itself changed its meaning and began to mean “a world full of love.” Continue reading